GO HOME
Visit European Gallery



       Prev  121  122  123  124  125  126  127  128  129  130   Next
 
 
Prev Artist       Next Artist     

Albrecht Durer Die Ferlegerin mit offenem Haar oil painting


Die Ferlegerin mit offenem Haar
Painting ID::  82399
Albrecht Durer
Die Ferlegerin mit offenem Haar
1497(1497) Medium Oil on canvas Dimensions 56 x 43 cm (22 x 16.9 in) cyf

   
   
     

Albrecht Durer Portrat des Rodrigo de Almada oil painting


Portrat des Rodrigo de Almada
Painting ID::  82496
Albrecht Durer
Portrat des Rodrigo de Almada
1521(1521) Medium Oil on panel Dimensions Deutsch: 50 x 32 cm cyf

   
   
     

Albrecht Durer Madonna and Child oil painting


Madonna and Child
Painting ID::  82519
Albrecht Durer
Madonna and Child
Date ca. 1498(1498) Medium Oil on wood Dimensions Height: 50 cm (19.7 in). Width: 39 cm (15.4 in). cjr

   
   
     

Albrecht Durer Portrait of a Man with Baret and Scroll oil painting


Portrait of a Man with Baret and Scroll
Painting ID::  82597
Albrecht Durer
Portrait of a Man with Baret and Scroll
Date 1521(1521) Medium Oil on oak Dimensions Height: 50 cm (19.7 in). Width: 36 cm (14.2 in). cjr

   
   
     

Albrecht Durer Kopf eines bartigen Kindes oil painting


Kopf eines bartigen Kindes
Painting ID::  82725
Albrecht Durer
Kopf eines bartigen Kindes
1527 Medium Oil on canvas Dimensions Deutsch: 52,5 x 27,8 cm cyf

   
   
     

       Prev  121  122  123  124  125  126  127  128  129  130   Next
Prev Artist       Next Artist     

     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | Mandyn, Jan | CAROSELLI, Angelo | Luis Tristan |


IntoFineArt Co,.Ltd.